Why
do we light a lamp?
In almost every Indian home a lamp is lit daily
before the altar of the Lord. In some houses
it is lit at dawn, in some, twice a day –
at dawn and dusk – and in a few it is
maintained continuously (akhanda deepa). All
auspicious functions commence with the lighting
of the lamp, which is often maintained right
through the occasion.
Light symbolizes knowledge, and darkness,
ignorance. The Lord is the "Knowledge
Principle" (chaitanya) who is the source,
the enlivener and the illuminator of all knowledge.
Hence light is worshiped as the Lord himself.
Knowledge removes ignorance just as light
removes darkness. Also knowledge is a lasting
inner wealth by which all outer achievement
can be accomplished. Hence we light the lamp
to bow down to knowledge as the greatest of
all forms of wealth Why not light a bulb or
tube light? That too would remove darkness.
But the traditional oil lamp has a further
spiritual significance. The oil or ghee in
the lamp symbolizes our vaasanas or negative
tendencies and the wick, the ego. When lit
by spiritual knowledge, the vaasanas get slowly
exhausted and the ego too finally perishes.
The flame of a lamp always burns upwards.
Similarly we should acquire such knowledge
as to take us towards higher ideals. Whilst
lighting the lamp we thus pray:
Deepajyothi parabrahma
Deepa sarva tamopahaha
Deepena saadhyate saram
Sandhyaa deepo namostute
I prostrate to the dawn/dusk lamp; whose
light is the Knowledge Principle (the Supreme
Lord), which removes the darkness of ignorance
& by which all can be achieved in life.
Why do we have a prayer room?
Most Indian homes have a prayer room or altar.
A lamp is lit and the Lord worshipped each
day. Other spiritual practices like japa (repetition
of the Lord’s name), meditation, paaraayana
(reading of the scriptures), prayers, devotional
singing etc is also done here. Special worship
is done on auspicious ocasions like birthdays,
anniversaries, festivals and the like. Each
member of the family – young or old
– communes with and worships the Divine
here. The Lord is the entire creation. He
is therefore the true owner of the house we
live in too. The prayer room is the Master
room of the house. We are the earthly occupants
of His property. This notion rids us of false
pride and possessiveness. The ideal attitude
to take is to regard the Lord as the true
owner of our homes and ourselves as caretakers
of His home. But if that is rather difficult,
we could at least think of Him as a very welcome
guest. Just as we would house an important
guest in the best comfort, so too we felicitate
the Lord’s presence in our homes by
having a prayer room or altar, which is, at
all times, kept clean and well-decorated.
Also the Lord is all-pervading. To remind
us that He resides in our homes with us, we
have prayer rooms. Without the grace of the
Lord, no task can be successfully or easily
accomplished. We invoke His grace by communing
with Him in the prayer room each day and on
special occasions. Each room in a house is
dedicated to a specific function like the
bedroom for resting, the drawing room to receive
guests, the kitchen for cooking etc. The furniture,
decor and the atmosphere of each room are
made conducive to the purpose it serves. So
too for the purpose of meditation, worship
and prayer, we should have a conducive atmosphere
– hence the need for a prayer room.
Sacred thoughts and sound vibrations pervade
the place and influence the minds of those
who spend time there. Spiritual thoughts and
vibrations accumulated through regular meditation,
worship and chanting done there pervade the
prayer room. Even when we are tired or agitated,
by just sitting in the prayer room for a while,
we feel calm, rejuvenated and spiritually
uplifted.
Why do we do namaste?
Indians greet each other with namaste. The
two palms are placed together in front of
the chest and the head bows whilst saying
the word namaste. This greeting is for all
– people younger than us, of our own
age, those older than us, friends and even
strangers.
There are five forms of formal traditional
greeting enjoined in the shaastras of which
namaskaram is one. This is understood as prostration
but it actually refers to paying homage as
we do today when we greet each other with
a namaste. Namaste could be just a casual
or formal greeting, a cultural convention
or an act of worship. However there is much
more to it than meets the eye. In Sanskrit
namah + te = namaste. It means – I bow
to you – my greetings, salutations or
prostration to you. Namaha can also be literally
interpreted as "na ma" (not mine).
It has a spiritual significance of negating
or reducing one’s ego in the presence
of another.
The real meeting between people is the meeting
of their minds. When we greet another, we
do so with namaste, which means, "may
our minds meet," indicated by the folded
palms placed before the chest. The bowing
down of the head is a gracious form of extending
friendship in love and humility. The spiritual
meaning is even deeper. The life force, the
divinity, the Self or the Lord in me is the
same in all. Recognising this oneness with
the meeting of the palms, we salute with head
bowed the Divinity in the person we meet.
That is why sometimes, we close our eyes as
we do namaste to a revered person or the Lord
– as if to look within. The gesture
is often accompanied by words like "Ram
Ram",
"Jai Shri Krishna", "Namo
Narayana", "Jai Siya Ram",
"Om Shanti" etc – indicating
the recognition of this divinity. When we
know this significance, our greeting does
not remain just a superficial gesture or word
but paves the way for a deeper communion with
another in an atmosphere of love and respect.
Why do we prostrate before parents
and elders?
Indians prostrate before their parents, elders,
teachers and noble souls by touching their
feet. The elder in turn blesses us by placing
his or her hand on or over our heads. Prostration
is done daily, when we meet elders and particularly
on important occasions like the beginning
of a new task, birthdays, festivals etc. In
certain traditional circles, prostration is
accompanied by abhivaadana which serves to
introduce one-self, announce one’s family
and social stature. Man stands on his feet.
Touching the feet in prostration is a sign
of respect for the age, maturity, nobility
and divinity that our elders personify. It
symbolizes our recognition of their selfless
love for us and the sacrifices that they have
done for our welfare. It is a way of humbly
acknowledging the greatness of another. This
tradition reflects the strong family ties
which has been one of India’s enduring
strengths.
The good wishes (Sankalpa) and blessings
(aashirvaada) of elders are highly valued
in India. We prostrate to seek them. Good
thoughts create positive vibrations. Good
wishes springing from a heart full of love,
divinity and nobility have a tremendous strength.
When we prostrate with humility and respect,
we invoke the good wishes and blessings of
elders which flow in the form of positive
energy to envelop us. This is why the posture
assumed whether it is in the standing or prone
position, enables the entire body to receive
the energy thus received. The different forms
of showing respect are :
Pratuthana – rising to welcome a person.
Namaskaara – paying homage in the form
of namaste.
Upasangrahan – touching the feet of
elders or teachers.
Shaashtaanga – prostrating fully with
the feet, knees, stomach, chest, forehead
and arms touching the ground in front of the
elder.
Pratyabivaadana – returning a greeting.
Rules are prescribed in our scriptures as
to who should prostrate to whom. Wealth, family
name, age, moral strength and spiritual knowledge
in ascending order of importance qualified
men to receive respect. This is why a king
though the ruler of the land, would prostrate
before a spiritual master. Epics like the
Ramayana and Mahabharata have many stories
highlighting this aspect.
Why do we wear marks (tilak and the like)
on the forehead?
The tilak invokes a feeling of sanctity in
the wearer and others. It is recognised as
a religious mark. Its form and colour vary
according to one’s caste, religious
sect or the form of the Lord worshipped.
In earlier times, the four castes
(based on varna or colour) – Brahmana,
Kshatriya, Vaishya and Sudra – applied
marks differently. The brahmin applied a white
chandan mark signifying purity, as his profession
was of a priestly or academic nature. The
kshatriya applied a red kumkum mark signifying
valour as he belonged to warrior races. The
vaishya wore a yellow kesar or turmeric mark
signifying prosperity as he was a businessman
or trader devoted to creation of wealth. The
sudra applied a black bhasma, kasturi or charcoal
mark signifying service as he supported the
work of the other three divisions. Also Vishnu
worshippers apply a chandan tilak of the shape
of "U", Shiva worshippers a tripundra
(of the shape of "º ")
of bhasma, Devi worshippers a red dot of kumkum
and so on). The tilak cover the spot between
the eyebrows, which is the seat of memory
and thinking. It is known as the Aajna Chakra
in the language of Yoga. The tilak is applied
with the prayer – "May I remember
the Lord. May this pious feeling pervade all
my activities. May I be righteous in my deeds."
Even when we temporarily forget this prayerful
attitude the mark on another reminds us of
our resolve. The tilak is thus a blessing
of the Lord and a protection against wrong
tendencies and forces.
The entire body emanates energy in the form
of electromagnetic waves – the forehead
and the subtle spot between the eyebrows especially
so. That is why worry generates heat and causes
a headache. The tilak and pottu cools the
forehead, protects us and prevents energy
loss. sometimes the entire forehead is covered
with chandan or bhasma. Using plastic reusable
"stick bindis" is not very beneficial,
even though it serves the purpose of decoration.
Why do we not touch papers, books
and people with the feet?
To Indians, knowledge is sacred and divine.
So it must be given respect at all times.
Nowadays we separate subjects as sacred and
secular. But in ancient India every subject
– academic or spiritual – was
considered divine and taught by the guru in
the gurukula.
The custom of not stepping on educational
tools is a frequent reminder of the high position
accorded to knowledge in Indian culture. From
an early age, this wisdom fosters in us a
deep reverence for books and education. This
is also the reason why we worship books, vehicles
and instruments once a year on Saraswathi
Pooja or Ayudha Pooja day, dedicated to the
Goddess of Learning. In fact, each day before
starting our studies, we pray:
Saraswati namasthubhyam
Varade kaama roopini
Vidyaarambham karishyaami
Sidhirbhavatu me sadaa
O Goddess Saraswati, the giver of Boons and
fulfiller of wishes, I prostrate to You before
Starting my studies. May You always fulfill
me.
To touch another with the feet is
considered an act of misdemeanor. Why is this
so?
Man is regarded as the most beautiful, living
breathing temple of the Lord! Therefore touching
another with the feet is akin to disrespecting
the divinity within him or her. This calls
for an immediate apology, which is offered
with reverence and humility.
Why do we apply the holy ash?
The ash of any burnt object is not regarded
as holy ash. Bhasma (the holy ash) is the
ash from the homa (sacrificial fire) where
special wood along with ghee and other herbs
is offered as worship of the Lord. Or the
deity is worshipped by pouring ash as abhisheka
and is then distributed as bhasma. Bhasma
is generally applied on the forehead. Some
apply it on certain parts of the body like
the upper arms, chest etc. Some ascetics rub
it all over the body. Many consume a pinch
of it each time they receive it. The word
bhasma means "that by which our sins
are destroyed and the Lord is remembered".
Bha implied bhartsanam ("to destroy")
and sma implies smaranam ("to remember").
The application of bhasma therefore signifies
destruction of the evil and remembrance of
the divine. Bhasma is called vibhuti (which
means "glory") as it gives glory
to one who applies it and raksha (which means
a source of protection) as it protects the
wearer from ill health and evil, by purifying
him or her.
Homa (offering of oblations into the fire
with sacred chants) signifies the offering
or surrender of the ego and egocentric desires
into the flame of knowledge or a noble and
selfless cause. The consequent ash signifies
the purity of the mind which results from
such actions. Also the fire of knowledge burns
the oblation and wood signifying ignorance
and inertia respectively. The ash we apply
indicates that we should burn false identification
with the body and become free of the limitations
of birth and death. This is not to be misconstrued
as a morose reminder of death but as a powerful
pointer towards the fact that time and tide
wait for none. Bhasma is specially associated
with Lord Shiva who applies it all over His
body. Shiva devotes apply bhasma as a tripundra
(the form of "º "). When
applied with a red spot at the centre, the
mark symbolises Shiva-Shakti (the unity of
energy and matter that creates the entire
seen and unseen universe). Bhasma has medicinal
value and is used in many ayurvedic medicines.
It absorbs excess moisture from the body and
prevents colds and headaches. The Upanishads
say that the famous Mrityunjaya mantra should
be chanted whilst applying ash on the forehead.
Tryambakam yajaamahe
Sugandhim pushtivardhanam
Urvaa rukamiva bhandhanaan
Mrytyor muksheeyamaa amrutaat
"We worship the three-eyed Lord Shiva
who nourishes and spread fragrance in our
lives. May He free us from the shackles of
sorrow, change and death – effortlessly,
like the fall of a rip brinjal from its stem."
Why do we offer food to the Lord before
eating it?
Indians make an offering of food to the Lord
and later partake of it as prasaada –
a holy gift from the Lord. In our daily ritualistic
worship (pooja) too we offer naivedyam (food)
to the Lord. The Lord is omnipotent and omniscient.
Man is a part, while the Lord is the totality.
All that we do is by His strength and knowledge
alone. Hence what we receive in life as a
result of our actions is really His alone.
We acknowledge this through the act of offering
food to Him. This is exemplified by the Hindi
words "tera tujko arpan"–
I offer what is Yours to You. Thereafter it
is akin to His gift to us, graced by His divine
touch. Knowing this, our entire attitude to
food and the act of eating changes. The food
offered will naturally be pure and the best.
We share what we get with others before consuming
it. We do not demand, complain or criticise
the quality of the food we get. We eat it
with cheerful acceptance (prasaada buddhi).
Before we partake of our daily meals we first
sprinkle water around the plate as an act
of purification. Five morsels of food are
placed on the side of the plate acknowledging
the debt owed by us to the Divine forces (devta
runa) for their benign grace and protection;
our ancestors (pitru runa) for giving us their
lineage and a family culture; the sages (rishi
runa) as our religion and culture have been
"realised", maintained and handed
down to us by them; our fellow beings (manushya
runa) who constitute society without the support
of which we could not live as we do and other
living beings (bhuta runa) for serving us
selflessly. Thereafter the Lord, the life
force, who is also within us as the five life-giving
physiological functions, is offered the food.
This is done with the chant
praanaaya swaahaa,
apaanaaya swaahaa,
vyaanaaya swaahaa,
udaanaaya swaahaa,
samaanaaya swaahaa,
brahmane swaahaa
After offering the food thus, it is eaten
as prasaada – blessed food.
Why do we fast?
Most devout Indians fast regularly or on special
occasions like festivals. On such days they
do not eat at all, eat once or make do with
fruits or a special diet of simple food.
Fasting in Sanskrit is called upavaasa. Upa
means "near" + vaasa means "to
stay". Upavaasa therefore means staying
near (the Lord), meaning the attainment of
close mental proximity with the Lord. Then
what has upavaasa to do with food? A lot of
our time and energy is spent in procuring
food items, preparing, cooking, eating and
digesting food. Certain food types make our
minds dull and agitated. Hence on certain
days man decides to save time and conserve
his energy by eating either simple, light
food or totally abstaining from eating so
that his mind becomes alert and pure. The
mind, otherwise pre-occupied by the thought
of food, now entertains noble thoughts and
stays with the Lord. Since it is a self-imposed
form of discipline it is usually adhered to
with joy. Also every system needs a break
and an overhaul to work at its best. Rest
and a change of diet during fasting is very
good for the digestive system and the entire
body. The more you indulge the senses, the
more they make their demands. Fasting helps
us to cultivate control over our senses, sublimate
our desires and guide our minds to be poised
and at peace.
Fasting should not make us weak, irritable
or create an urge to indulge later. This happens
when there is no noble goal behind fasting.
The Bhagavad Geeta urges us to eat appropriately
– neither too less nor too much –
yukta-aahaara and to eat simple, pure and
healthy food ( a saatvik diet) even when not
fasting.
Why do we do pradakshina (circumambulate)?
We cannot draw a circle without a centre point.
The Lord is the centre, source and essence
of our lives. Recognising Him as the focal
point in our lives, we go about doing our
daily chores. This is the significance of
pradakshina. Also every point on the circumference
of a circle is equidistant from the centre.
This means that wherever or whoever we may
be, we are equally close to the Lord.
His grace flows towards us without partiality.
Why is pradakshina done only in a
clockwise manner?
The reason is not, as a person said, to avoid
a traffic jam! As we do pradakshina, the Lord
is always on our right. In India the right
side symbolises auspiciousness. So as we circumambulate
the sanctum sanctorum we remind ourselves
to lead an auspicious life of righteousness,
with the Lord who is the indispensable source
of help and strength, as our guide –
the "right hand". Indian scriptures
enjoin – matrudevo bhava, pitrudevo
bhava, acharyadevo bhava. May you consider
your parents and teachers as you would the
Lord. With this in mind we also do pradakshina
around our parents and divine personages.
After the completion of traditional worship
(pooja), we customarily do pradakshina around
ourselves. In this way we recognise and remember
the supreme divinity within us, which alone
is idolised in the form of the Lord that we
worship outside.
Why do we regard trees and plants
as sacred?
The Lord, the life in us, pervades all living
beings, be they plants or animals. Hence,
they are all regarded as sacred. Human life
on earth depends on plants and trees. They
give us the vital factors that makes life
possible on earth: food, oxygen, clothing,
shelter, medicines etc. Hence, in India, we
are taught to regard trees and plants as sacred.
Indians scriptures tell us to plant ten trees
if, for any reason, we have to cut one. We
are advised to use parts of trees and plants
only as much as is needed for food, fuel,
shelter etc. we are also urged to apologise
to a plant or tree before cutting it to avoid
incurring a specific sin named soona
Certain trees and plants like tulasi, peepal
etc., which have tremendous beneficial qualities,
are worshipped till today. It is believed
that divine beings manifest as trees and plants,
and many people worship them to fulfill their
desires or to please the Lord.
Why do we ring the bell in a temple?
Is it to wake up the Lord? But the Lord never
sleeps. Is it to let the Lord know we have
come? He does not need to be told, as He is
all-knowing. Is it a form of seeking permission
to enter His precinct? It is a homecoming
and therefore entry needs no permission. The
Lord welcomes us at all times. Then why do
we ring the bell?
The ringing of the bell produces what is
regarded as an auspicious sound. It produces
the sound Om, the universal name of the Lord.
There should be auspiciousness within and
without, to gain the vision of the Lord who
is all-auspiciousness.
Even while doing the ritualistic aarati,
we ring the bell. It is sometimes accompanied
by the auspicious sounds of the conch and
other musical instruments. An added significance
of ringing the bell, conch and other instruments
is that they help drowned any inauspicious
or irrelevant noises and comments that might
disturb or distract the worshippers in their
devotional ardour, concentration and inner
peace.
As we start the daily ritualistic worship
(pooja) we ring the bell, chanting:
Aagamaarthamtu devaanaam
gamanaarthamtu rakshasaam
Kurve ghantaaravam tatra
devataahvaahna lakshanam
I ring this bell indicating the invocation
of divinity, So that virtuous and noble forces
enter (my home and heart); And the demonic
and evil forces From within and without, depart.
Why do we worship the kalasha?
First of all what is a kalasha? A brass, mud
or copper pot is filled with water. Mango
leaves are placed in the mouth of the pot
and a coconut is placed over it. A red or
white thread is tied around its neck or sometimes
all around it in a intricate diamond-shaped
pattern. The pot may be decorated wit designs.
Such a pot is known as a kalasha. When the
pot is filled with water or rice, it is known
as purnakumbha representing the inert body
which when filled with the divine life force
gains the power to do all the wonderful things
that makes life what it is. A kalasha is placed
with due rituals on all important occasions
like the traditional house warming (grihapravesa),
wedding, daily worship etc. It is placed near
the entrance as a sign of welcome. It is also
used in a traditional manner while receiving
holy personages. Why do we worship the kalasha?
Before the creation came into being, Lord
Vishnu was reclining on His snake-bed in the
milky ocean. From His navel emerged a lotus
from which appeared Lord Brahma, the creator,
who thereafter created this world. The water
in the kalasha symbolises the primordial water
from which the entire creation emerged. It
is the giver of life to all and has the potential
of creating innumerable names and forms, the
inert objects and the sentient beings and
all that is auspicious in the world from the
energy behind the universe. The leaves and
coconut represent creation. The thread represents
the love that "binds" all in creation.
The kalasha is therefore considered auspicious
and worshipped. The waters from all the holy
rivers, the knowledge of all the Vedas and
the blessings of all the deities are invoked
in the kalasha and its water is thereafter
used for all the rituals, including the abhisheka.
The consecration (kumbhaabhisheka) of a temple
is done in a grand manner with elaborate rituals
including the pouring of one or more kalashas
of holy water on the top of the temple. When
the asuras and the devas churned the milky
ocean, the Lord appeared bearing the pot of
nectar, which blessed one with everlasting
life. Thus the kalasha also symbolises immortality.
Men of wisdom are full and complete as they
identify with the infinite Truth (poornatvam).
They brim with joy and love and respect all
that is auspicious. We greet them with a purnakumbha
("full pot") acknowledging their
greatness and as a sign of respectful and
reverential welcome, with a "full heart".
Why do we consider the lotus as special?
Why do we consider the lotus as special?
The lotus is the symbol of truth, auspiciousness
and beauty (satyam, shivam, sundaram). The
Lord is also that nature and therefore, His
various aspects are compared to a lotus (i.e.
lotus-eyes, lotus feet, lotus hands, the lotus
of the heart etc.).
The lotus blooms with the rising sun and
close at night. Similarly, our minds open
up and expand with the light of knowledge.
The lotus grows even in slushy areas. It remains
beautiful and untainted despite its surroundings,
reminding us that we too can and should strive
to remain pure and beautiful within, under
all circumstances.
The lotus leaf never gets wet even though
it is always in water. It symbolises the man
of wisdom (gyaani) who remains ever joyous,
unaffected by the world of sorrow and change.
This is revealed in a shloka from the Bhagwad
Geeta:
Brahmanyaadhaaya karmaani
Sangam tyaktvaa karoti yaha
Lipyate na sa paapena
Padma patram ivaambhasaa
He who does actions, offering them to Brahman
(the Supreme), abandoning attachment, is not
tainted by sin, just as a lotus leaf remains
unaffected by the water on it.
From this, we learn that what is natural
to the man of wisdom becomes a discipline
to be practised by all saadhakas or spiritual
seekers and devotees. Our bodies have certain
energy centres described in the Yoga Shaastras
as chakras.
Each one is associated with lotus that have
a certain number of petals. For example, the
Sahasra chakra at the top of the head, which
opens when the yogi attains Godhood or Realisation,
is represented by a lotus with a thousand
petals. Also, the lotus posture (padmaasana)
is recommended when one sits for meditation.
A lotus emerged from the navel of Lord Vishnu.
Lord Brahma originated from it to create the
world. Hence, the lotus symbolises the link
between the creator and the supreme Cause.
It also symbolises Brahmaloka, the abode
of Lord Brahma. The auspicious sign of the
swastika is said to have evolved from the
lotus.
Why do we worship tulasi?
In Sanskrit, tulanaa naasti athaiva tulasi
- that which is incomparable (in its qualities)
is the tulasi.
For Indians it is one of the most sacred
plants. In fact it is known to be the only
thing used in worship which, once used, can
be washed and reused in pooja - as it is regarded
so self-purifying.
As one story goes, Tulasi was the devoted
wife of Shankhachuda, a celestial being. She
believed that Lord Krishna tricked her into
sinning. So she cursed Him to become a stone
(shaaligraama). Seeing her devotion and adhered
to righteousness, the Lord blessed her saying
that she would become the worshipped plant,
tulasi that would adorn His head. Also that
all offerings would be incomplete without
the tulasi leaf - hence the worship of tulasi.
She also symbolises Goddess Lakshmi, the
consort of Lord Vishnu. Those who wish to
be righteous and have a happy family life
worship the tulasi. Tulasi is married to the
Lord with all pomp and show as in any wedding.
This is because according to another legend,
the Lord blessed her to be His consort. Satyabhama
once weighed Lord Krishna against all her
legendary wealth. The scales did not balance
till a single tulasi leaf was placed along
with the wealth on the scale by Rukmini with
devotion. Thus the tulasi played the vital
role of demonstrating to the world that even
a small object offered with devotion means
more to the Lord than all the wealth in the
world.
The tulasi leaf has great medicinal value
and is used to cure various ailments, including
the common cold.
Yanmule sarvatirhaani
Yannagre sarvadevataa
Yanmadhye sarvavedaascha
Tulasi taam namaamyaham
I bow down to the tulasi, At whose base are
all the holy places, At whose top reside all
the deities and In whose middle are all the
Vedas.
Why do we blow the conch?
When the conch is blown, the primordial sound
of Om emanates. Om is an auspicious sound
that was chanted by the Lord before creating
the world. It represents the world and the
Truth behind it.
As the story goes, the demon Shankhaasura
defeated the devas, the Vedas and went to
the bottom of the ocean. The devas appealed
to Lord Vishnu for help. He incarnated as
Matsya Avataara - the "fish incarnation"
and killed Shankhaasura. The Lord blew the
conch-shaped bone of his ear and head. The
Om sound emanated, from which emerged the
Vedas. All knowledge enshrined in the Vedas
is an elaboration of Om. The conch therefore
is known as shankha after Shankaasua. The
conch blown by the Lord is called
Paanchajanya. He carries it at all times
in one of His four hands. It represents dharma
or righteousness that is one of the four goals
(purushaarthas) of life. The sound of the
conch is thus also the victory call of good
over evil. Another well-known purpose of blowing
the conch and the instruments, known traditionally
to produce auspicious sounds is to drown or
mask negative comments or noises that may
disturb or upset the atmosphere or the minds
of worshippers. Ancient India lived in her
villages. Each village was presided over by
a primary temple and several small ones. During
the aarati performed after all important poojas
and on sacred occasions, the conch used to
be blown. Since villages were generally small,
the sound of the conch would be heard all
over the village. People who could not make
it to the temple were reminded to stop whatever
they were doing, at least for a few seconds,
and mentally bow to the Lord. The conch sound
served to briefly elevate people's minds to
a prayerful attitude even in the middle of
their busy daily routine. The conch is placed
at the altar in temples and homes next to
the Lord as a symbol of Naada Brahma (Truth),
the Vedas, Om, dharma, victory and auspiciousness.
It is often used to offer devotees thirtha
(sanctified water) to raise their minds to
the highest Truth. It is worshipped with the
following verse.
Twam puraa saagarot pannaha
Vishnunaa vidhrutahakare
Devaischa poojitha sarvahi
Panchjanya namostu te
Salutations to Panchajanya the conch born
of the ocean Held in the hand of Lord Vishnu
and worshipped by all devaas
Why do we say shaanti thrice?
Shaanti, meaning "peace", is a natural
state of being. Disturbances are created either
by us or others. For example, peace already
exists in a place until someone makes noise.
Therefore, peace underlies all our agitations.
When agitations end, peace is naturally experienced
since it was already there. Where there is
peace, there is happiness. Therefore, every
one without exception desires peace in his/her
life. However, peace within or without seems
very hard to attain because it is covered
by our own agitations. A rare few manage to
remain peaceful within even in the midst of
external agitation and troubles. To invoke
peace, we chant prayers. By chanting prayers,
troubles end and peace is experienced internally,
irrespective of the external disturbances.
All such prayers end by chanting shaanti thrice.
It is believed that trivaram satyam - that
which is said thrice comes true. For emphasising
a point we repeat a thing thrice. In the court
of law also, one who takes the witness stands
says, "I shall speak the truth, the whole
truth and nothing but the truth".
We chant shaanti thrice to emphasise our
intense desire for peace. All obstacles, problems
and sorrows originate from three sources.
Aadhidaivika : The unseen divine forces over
which we have little or no control like earthquakes,
floods, volcanic eruptions etc. Aadhibhautika:
The known factors around us like accidents,
human contacts, pollution, crime etc.
Aadhyaatmika : We sincerely pray to the Lord
that at least while we undertake special tasks
or even in our daily lives, there are no problems
or that, problems are minimised from the three
sources written about above. May peace alone
prevail. Hence shaanti is chanted thrice.
It is chanted aloud the first time, addressing
the unseen forces. It is chanted softer the
second time, directed to our immediate surroundings
and those around, and softest the last time
as it is addressed to oneself.
Why do we offer a coconut?
In India one of the most common offerings
in a temple is a coconut. It is also offered
on occasions like weddings, festivals, the
use of a new vehicle, bridge, house etc. It
is offered in the sacrificial fire whilst
performing homa. The coconut is broken and
placed before the Lord. It is later distributed
as prasaada.
The fibre covering of the dried coconut is
removed except for a tuft on the top. The
marks on the coconut make it look like the
head of a human being. The coconut is broken,
symbolising the breaking of the ego. The juice
within, representing the inner tendencies
(vaasanas) is offered along with the white
kernel - the mind, to the Lord.
A mind thus purified by the touch of the
Lord is used as prasaada ( a holy gift). In
the traditional abhishekha ritual done in
all temples and many homes, several materials
are poured over the deity like milk, curd,
honey, tender coconut water, sandal paste,
holy ash etc. Each material has a specific
significance of bestowing certain benefits
on worshippers. Tender coconut water is used
in abhisheka rituals since it is believed
to bestow spiritual growth on the seeker.
The coconut also symbolises selfless service.
Every part of the tree -the trunk, leaves,
fruit, coir etc. Is used in innumerable ways
like thatches, mats, tasty dishes, oil, soap
etc. It takes in even salty water from the
earth and converts it into sweet nutritive
water that is especially beneficial to sick
people. It is used in the preparation of many
ayurvedic medicines and in other alternative
medicinal systems.
The marks on the coconut are even thought
to represent the three-eyed Lord Shiva and
therefore it is considered to be a means to
fulfill our desires.
Why do we chant Om?
Om is one of the most chanted sound symbols
in India. It has a profound effect on the
body and mind of the one who chants and also
on the surroundings. Most mantras and vedic
prayers start with om. All auspicious actions
begin with om. It is even used as a greeting
- om, Hari om etc. It is repeated as a mantra
or meditated upon. Its form is worshipped,
contemplated upon or used as an auspicious
sign. Om is the universal name of the Lord.
It is made up of the letters A (phonetically
as in "around"), U (phonetically
as in "put") and M (phonetically
as in "mum"). The sound emerging
from the vocal chords starts from the base
of the throat as "A". With the coming
together of the lips, "U" is formed
and when the lips are closed, all sounds end
in "M". The three letters symbolise
the three states (waking, dream and deep sleep),
the three deities (Brahma, Vishnu and Shiva),the
three Vedas (Rig, Yajur and Sama) the three
worlds (Bhuh, Bhuvah, Suvah) etc. The Lord
is all these and beyond.
The formless, attributeless Lord (Brahman)
is represented by the silence between two
om Chants. Om is also called pranava that
means "that (symbol or sound) by which
the Lord is praised". The entire essence
of the Vedas is enshrined in the word om.
It is said that the Lord started creating
the world after chanting om and atha. Hence
its sound is consi dered to create an auspicious
beginning for any task that we undertake.
The om chant should have the resounding sound
of a bell (aaooommm).
Om is written in different ways in different
places. The most common form symbolises Lord
Ganesha. The upper curve is the head; the
lower large one, the stomach; the side one,
the trunk; and the semi-circular mark with
the dot, the sweet-meat ball (modaka) in Lord
Ganesha's hand. Thus om symbolises everything
- the means and the goal of life, the world
and the Truth behind it, the material and
the Sacred, all form and the Formless.
Why do we do aarati?
Towards the end of every ritualistic worship(pooja
or bhajan) of the Lord or to welcome an honoured
guest or saint, we perform the aarati. This
is always accompanied by the ringing of the
bell and sometimes by singing, playing of
musical instruments and clapping. It is one
of the sixteen steps (shodasha upachaara)
of the pooja ritual. It is referred to as
the lighted lamp in the right hand, which
we wave in a clockwise circling movement to
light the entire form of the Lord. Each part
is revealed individually and also the entire
form of the Lord. As the light is waved we
either do mental or loud chanting of prayers
or simply behold the beautiful form of the
Lord, illumined by the lamp.At the end of
the aarati we place our hands over the flame
and then gently touch our eyes and the top
of the head.
We have seen and participated in this ritual
from our childhood. Let us find out why we
do the aarati?
Having worshipped the Lord of love - performing
abhisheka, decorating the image and offering
fruits and delicacies, we see the beauty of
the Lord in all His glory. Our minds are focussed
on each limb of the Lord as it is lit up by
the lamp. It is akin to silent open-eyed meditation
on His beauty. The singing, clapping, ringing
of the bell etc. denote the joy and auspiciousness
which accompanies the vision of the Lord.
Aarati is often performed with camphor. This
holds a telling spiritual significance. Camphor
when lit, burns itself out completely without
leaving a trace of it. It represents our inherent
tendencies (vaasanas). When lit by the fire
of knowledge which illumines the Lord (Truth),
our vaasanas thereafter burn themselves out
completely, not leaving a trace of ego which
creates in us a sense of individuality that
keeps us separate from the Lord. Also while
camphor burns to reveal the glory of Lord,
it emits a pleasant perfume even while it
sacrifices itself. In our spiritual progress,
even as we serve the guru and society, we
should willingly sacrifice ourselves and all
we have, to spread the "perfume"
of love to all. We often wait a long while
to see the illumined Lord but when the aarati
is actually performed, our eyes close automatically
as if to look within. This is to signify that
each of us is a temple of the Lord.
Just as the priest reveals the form of the
Lord clearly with the aarati flame, so too
the guru revelas to us the divinity within
each of us with the help of the "flame"
of knowledge (or the light of spiritual knowledge).
At the end of the aarati, we place our hands
over the flame and then touch our eyes and
the top of the head. It means - may the light
that illuminated the Lord light up my vision;
may my vision be divine and my thoughts noble
and beautiful. The philosophical meaning of
aarati extends further. The sun, moon, stars,
lightning and fire are the natural sources
of light. The Lord is the source of these
wonderous phenomenon of the universe. It is
due to Him alone that all else exist and shine.
As we light up the Lord with the flame of
the aarati, we turn our attention to the very
source of all light which symbolises knowledge
and life. Also the sun is the presiding deity
of the intellect, the moon, that of the mind,
and fire, that of speech. The Lord is the
supreme consciousness that illuminates all
of them. Without Him, the intellect cannot
think, nor can the mind feel nor the tongue
speak. The Lordis beyond the mind, intellect
and speech. How can these finite equipment
illuminate the Lord? Therefore, as we perform
the aarati we chant;
Na tatra suryo bhaati na chandra
taarakam
Nemaa vidyuto bhaanti kutoyamagnib
Tameva bhaantam anubhaati sarvam
Tasya bhasa sarvam idam vibhaati
He is there where the sun does not shine,
Nor the moon, stars and lightning. then what
to talk of this small flame (in my hand),
Everything (in the universe) shines only after
the Lord, And by His light alone are we all
illumined.